KinoSaito’s spacious galleries are designed to highlight ideas at the core of the center’s mission—experimental practices of artists working today seen in relation to Kikuo Saito’s paintings, works on paper and theater design from throughout his over fifty-year career. In the first gallery, visitors encounter a selection of Saito’s work that changes quarterly, each iteration highlighting a theme, motif, painting style or area of focus worthy of the artist’s extended study. The second gallery is a rotating series of exhibitions featuring the work of contemporary artists across disciplines, media, and artistic practices.

 

GALLERY 1

Kikuo Saito: Summer Song

Curated by Kikuo Saito Studio

11 May – 15 Dec. 2024

The paintings on display primarily focus on a period of 12 years in which Kikuo Saito returns again and again to the implied shape of an ellipse as a site to explore notational mark-making and dynamic color relationships. Four canvases share a similar composition in which small gestural brushstrokes follow the circumference of a large circle placed atop a monochrome color field. Two early tondos by Saito which have never before been exhibited inverse this composition, with squares revealing raw canvas placed within a round composition.

Kikuo Saito, Summer Song, 2006, Oil paint on canvas, 51 3/4 x 62 1/8 in


GALLERY 2

Chie Fueki: Petal Storm Memory

Curated by David A. Ross

11 May – 15 Dec. 2024

Fueki was born in 1973 in Yokohama, an ultra-modern industrial port that is a prime example of the high-tech rebuilding of Japan following the destruction of World War II. But at age three, her parents moved to São Paulo, Brazil, where her father worked with a Japanese-based global shipping company. It is hard to imagine two more profoundly different cultures than Brazil and Japan. As her mother was not allowed to work in Brazil, she raised Fueki in a very different culture, thousands of miles and culturally light-years away from Japan. So, except for brief visits, Fueki has never lived in Japan as an adult. After attending a Japanese elementary and middle school and an international high school in São Paulo, she moved north to the United States for college and graduate school. Fueki grew up feeling like an outsider in Brazil and then again in the U.S. Even though she was raised in a Japanese household, the cultural collisions she experienced at such an impressionable age enormously impacted her sense of self and left her with a sense of displacement and longing – untethered in her own floating world.

Chie Fueki, Painting, 2023, Acrylic and colored pencil on mulberry paper on wood, 60x48 in


THEATER GALLERY

NON Objectified

Curated by Kathy Battista

11 May – 15 Dec. 2024

Non-Objectified presents a dynamic group of works by female artists operating under the umbrella of abstraction. The show’s title is a play on the term ‘non-objective’ painting, coined by by Alexander Rodchenko in 1918. This movement was centered in Europe and created in reaction to centuries of figurative representation, as practiced and espoused in the academies. Non-Objectified is a riff on Rodchenko’s term, a double entendre exploring female artists’ resistance to the objectification of bodies. The show takes the form of a dialogue between works by a cross-generational, international group of artists selected for their varying approaches to abstraction, each variation invoking or involving the body in subtle ways.

Participating Artists:
Anne-Lise Coste, Jamie Diamond, Katy Dove, Klodin Erb, Clare Goodwin, Sherin Guirgis, Jeewi Lee, Servane Mary, Rachael Matthews, Pat Passlof, Suzanne Perlman, Brie Ruais, Ilana Savdie, Miriam Schapiro, Dee Shapiro, Jemima Stehli, Naama Tsabar, Lesley Vance, Camila Varon, Adam Whitecash, and Rachel Eulena Williams

Miriam Schapiro, Rude Structure, 1966, acrylic on canvas, 80 x 72 in


OUTDOOR

Natsuki Takauji: The Heart of the Tree

11 May – 15 Dec. 2024

Natsuki Takauji was born in Japan and moved to NYC in 2008 to discover the city and herself as an artist. She works toward questions driven by her life experiences in Japan and as an immigrant in NYC; her primary artistic intention is to communicate individually or communally. Therefore, many of her works are interactive or participatory, installed in public spaces.

Natsuki Takauji, The Heart of the Tree, 2023, Steel, stainless steel, brass, bronze, handblown glass, and silicone, 80 x 56 x 56 in


Past Exhibitions

  • Kikuo Saito: Unraveling

    Curated by Kikuo Saito Studio
    9 Mar. – 5 May 2024

  • Alina Tenser: Wrk Frm Hm

    Curated by Sarah Strauss
    9 Mar. – 5 May 2024

  • Bel Falleiros: Navel-Knot // Root-Rise

    Curated by Jess Wilcox and organized in partnership with River Valley Arts Collective
    9 Mar. – 5 May 2024

  • Ricardo de Oliveira: As The Years Went On… (Woman’s Eye)

    Curated by CLEA RSKY
    9 Mar. – 5 May 2024

  • KinoSaito Annual: Community Art Benefit

    Curated by KinoSaito Art Center
    15-17 Dec. 2023

  • Lee Tribe

    Curated by Kikuo Saito Studio
    2 Sep. – 17 Dec. 2023

  • Kikuo Saito and Friends: New York City Downtown and Beyond, 1970s and 1980s

    Curated by Karen Wilkin
    13 May – 17 Dec. 2023

  • Niki Lederer: Knickerbocker Ice

    Curated by Kikuo Saito Studio
    4 Mar. – 30 Aug. 2023

  • Kikuo Saito: Pictorial Clay

    Curated by Jim Walsh
    4 Mar. – 7 May 2023

  • Patrice Renee Washington: Tendersweet

    Curated by Olga Dekalo and organized in partnership with River Valley Arts Collective
    4 Mar. – 7 May 2023

  • Murray Hochman: New Dimensions

    Curated by Kikuo Saito Studio
    4 Mar. – 7 May 2023

  • Kikuo Saito: Hatching Color

    Curated by Kikuo Saito Studio
    9 Sep. - 18 Dec. 2022

  • Signaling

    Curated by Alexander Provan
    9 Sep. - 11 Dec. 2022

  • XYZ: Alphabetical Ruptures and Reformations

    Curated by Sophie Landres
    8 Jul. - 4 Sep. 2022

  • Kikuo Saito: The Alphabet Paintings

    Curated by Kikuo Saito Studio
    3 Jun. - 4 Sep. 2022

  • Pooneh Maghazehe: Half-Life

    Curated by Beth Venn
    6 May – 26 Jun. 2022

  • Material Presence: Kikuo Saito

    Curated by Karen Wilkin
    4 Mar. – 22 May 2022

  • Material Presence: Jilaine Jones + Fran O’Neill

    Curated by Karen Wilkin
    4 Mar. – 24 Apr. 2022

  • Christina McPhee: Regeneration

    Curated by Beth Venn
    4 Mar. – 24 Apr. 2022

  • Kikuo Saito: Cloud Paintings

    Curated by Kikuo Saito Studio
    9 Sep. – 19 Dec. 2021

  • Painting as Performance / Performance as Painting: The Theater Paintings of Kikuo Saito

    Curated by Kikuo Saito Studio
    9 Sep. – 19 Dec. 2021

KinoSaito Programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.